dust my blues

Thus, many re-workings of "Dust My Broom" with small variations were recorded by James for different record labels during his career. Wonderful. I'm gonna get up in the morning, I believe I'll dust my blues Gonna get up in the morning, I believe I'll dust my blues I gotta find my baby, I ain't got no time to lose I'm gonna write a letter, believe I'll send a telegram I'm gonna write a letter, believe I'll send a telegram I'm gonna wire my baby, tell her where I am [34] McMurray denied this and presented a check made out to and endorsed by James the day before the session to show his knowledge of and agreement to participate in the recording.[33]. [1] Neither rendition appeared in the record charts. https://genius.com/John-mayall-and-the-bluesbreakers-dust-my-blues-lyrics In early December 1933 Roosevelt Sykes accompanied Carl Rafferty, a man about who we know absolutely nothing, on “Mr. The last verse shows Johnson's unusual use of geographical references. In 1968, the original Fleetwood Mac with Peter Green recorded their version for their album Mr. [35] His use of vibrato with the slide has been called as "his distinctive jangling guitar style" by musicologist Charlie Gillett. Regional record charts show that "Dust My Broom" gradually gained popularity in different parts of the U.S.[30] It eventually entered Billboard magazine's national Top R&B singles chart April 5, 1952, and peaked at number nine. Says the Good Book tells me, that I got a good gal in the world somewhere, The melody that Johnson uses is also found in 1934 recordings of "I Believe I'll Make a Change" by Leroy Carr[5] and Josh White. It also has been selected for the Blues Foundation Blues Hall of Fame, the Grammy Hall of Fame, and the Library of Congress' National Recording Registry. [40][e] Topping calls it "a powerful reincarnation of the old broom theme"[40] and Gillett adds that it is "a fine hard driving song". As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as "Pinetop and Lindberg" in 1932. [39] These later renditions do not include harmonica, but have piano accompaniment. [6] This riff came to define the song,[18] although Johnson also used it in several other of his songs, including a slide version for "Ramblin' on My Mind". In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. [36] Music critic Cub Koda notes that, in James' hands, "this may be the most famous blues riff of all time, [n]ext to the four-note intro of Bo Diddley's 'I'm a Man'". The blues have an oral tradition, which meant this was simply a natural process. Label Format Year Country; Elmore James & His Broomdusters: Dust My Blues (I Believe) 45x394: Kent: 7", 45 RPM, , 1964: US: Elmore James & His Broomdusters [20], As one of three Johnson songs to become early blues standards,[23] Wald questions why "I Believe I'll Dust My Broom" was not included on the first reissue of his recordings, the King of the Delta Blues Singers album released by Columbia in 1961. Find album reviews, stream songs, credits and award information for Dust My Blues - Warren Storm on AllMusic - 2005 In January 1951, Williamson was offered the opportunity to record some songs for Trumpet Records, where, by one account, he was accompanied by James. However, it is included on King Biscuit Time, a Sonny Boy Williamson II collection by Arhoolie Records,[d] and a James box set, The Early Classic Recordings 1951–1956. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as "Pinetop and Lindberg" in 1932. "Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. Listen to Dust My Blues by Elmore James, 20,242 Shazams, featuring on Classic Blues Essentials, and Electric Blues Essentials Apple Music playlists. [38], Elmore James' "Dust My Broom" was inducted into the Blues Foundation Blues Hall of Fame in 1983; Jim O'Neal stated that it received more votes than any other record in the first year of balloting for singles. [29] James often performed with Aleck Rice Miller, better known as Sonny Boy Williamson II as a duo. [10] Music writer Thomas Beebee notes that while the world of many blues listeners was limited to the Mississippi Delta, The last stanza of the song raises the stakes, exploding into a fantastic geography—the singer's voice trails a bit behind the guitar line here, as if burdened by the imaginative leap involved ... Mixed with all the bitterness, after all, is a geographic expansiveness that suddenly stretches the thirty miles of Arkansas backroads into a trip around the world. Rise Against Share ‘Ghost Note Symphonies’ Version Of ‘Nowhere Generation’, ‘Soul’, Nomadland’ & ‘One Night In Miami’ Among Winners At 2021 Oscars, Luke Bryan Sets Rescheduled, Expanded ‘Proud To Be Right Here’ Tour, Country Favorites Lauren Alaina And Jon Pardi Share ‘Getting Over Him’ Video, Yola Debuts Video For New Single ‘Diamond Studded Shoes,’ Announces New Album ‘Stand For Myself’. However, according to musicologist Robert Palmer, he "transformed what had been a brisk country blues into a rocking, heavily amplified shuffle". Johnson's guitar work features an early use of a boogierhythm pattern, w… Lord acknowledge to my good gal, mama, Lord, that I have done you wrong [44] Following the 1964 UK release of "Dust My Blues",[38] James' slide guitar sound was adopted by many British blues-oriented guitarists. So some of your lowdown rounders, lord you can have my room, I believe, I believe I'll go back home (2×) [8], In 1955, Flair Records, another Bihari label, issued a reworking of the song titled "Dust My Blues" (catalogue no. Singer Son Thomas once said, “It was an old field holler to tell everyone, except the people the hollerer didn’t want to tell, that he was running away.”. When I got up this morning, I believe I dust my blues. [3] Jewel Records also re-released the original Trumpet recording as a single in 1965. 1074). [38] Recorded in New Orleans at Cosimo Matassa's J&M Studios, James was backed by veteran New Orleans musicians, including bassist Frank Fields, drummer Earl Palmer, and pianist Edward Frank. (Bihari is one of the two brothers that owned the Modern label. [30] In August, the duo auditioned "Dust My Broom" for Trumpet owner Lillian McMurry, who signed James to a recording contract. [18], Elmore James never recorded any more of his own material for Trumpet, although he later appeared as a sideman. [42] In 2003, the original 1951 Trumpet recording was selected for preservation in the U.S. Library of Congress' National Recording Registry, which commented "James is known to have tinkered with his guitar pickups and fans still argue about how he achieved his signature sound. Dust My Blues. on Amazon Music Unlimited (ad) "Dust My Blues". I'm 'on' call up Chiney, see is my good gal over there (2×) It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. When I got up this morning, I believe I dust my blues. "Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. As with most of his recordings, it appears that a second take of the song was recorded and assigned a reference number. In 1955 James re-recorded “Dust My Broom” as “Dust My Blues” with minor lyric changes and a re-arrangement of the verses. II,[25] in 1990, on The Complete Recordings box set,[26] and on several compilation albums. ‘All For You’: The Story Behind Janet Jackson’s Hit, The 50 Best Jazz Saxophonists Of All Time, ‘Fancy’: Behind Bobbie Gentry’s Women’s Lib Statement, Best Blue Note Album Covers: 20 Groundbreaking Artworks. In truth, we may never know who “did it first,” but recorded evidence points to Mr. Carl Rafferty accompanied by Mr. Roosevelt Sykes. Komara describes it as a modified open-A tuning with the fifth string retuned from A to B, giving a new tuning of E–B–E–A–C♯–E[b] or a standard open E tuning of E–B–E–G♯–B–E. [30] Joe Bihari, who owned Los Angeles-based Modern Records with his brothers, and his talent scout Ike Turner were one of the first. [32] The versions of "Dust My Broom" that appear on many compilations, such as King of the Slide Guitar, were recorded during his first session in Chicago in 1959 and last session in New York in late 1962 or early 1963 for Bobby Robinson's Fire Records group of labels. [47] ZZ Top recorded the tune for their 1979 album Degüello and continued to perform it into the 1980s. Trying to recall where you first heard the quintessential electric blues riff that opens “Dust My Broom” is difficult. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. Save my name, email, and website in this browser for the next time I comment. Play "Dust My Blues". It may have been the early 50s version by Elmore James or Fleetwood Mac’s late 60s offering. [19], In April 1937, Vocalion Records issued "I Believe I'll Dust My Broom" on the then standard ten-inch 78 rpm record, backed with Johnson's "Dead Shrimp Blues". The song has become a blues standard, with numerous renditions by a variety of musicians. [37] In 1955, after the release of an updated version by another record label, McMurray leased the recording to Ace Records, who re-released it. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. Compared to Johnson guitar work, Gioia describes them as "more insistent, firing out a machine-gun triplet beat that would become a defining sound of the early rockers". [6] The song is performed in the key of E at a moderate tempo of 100–105 beats per minute. More often that not, that was a matter of luck, with record companies going to towns and cities across the Southern United States looking for performers to record on their mobile studios. Ain't got no time, baby, ain't got no time to lose, hey … Like many of the later versions that were both recorded and sung live, they often mixed up “Dust My Broom” with “Dust My Blues.” We’ve collected together a number of versions of “Dust My Broom” from a whole collection of different blues artists, from Howlin’ Wolf and Muddy Waters to Albert King and a fabulous lady who sings the “broom.”. [14] Authors Pearson and McCulloch note that its place on the album "would have connected Johnson to the rightful inheritors of his musical ideas—big-city African American artists whose high-powered, electrically amplified blues remained solidly in touch with Johnson's musical legacy". [48], Komara calls this "Aadd9" or Johnson's "secret tuning", Even though his first name was usually spelled "Elmore", many referred to him using the shortened "Elmo", Frank Fields and Earl Palmer were members of, sfn error: no target: CITEREFKomara2007 (, sfn error: multiple targets (2×): CITEREFOliver1989 (, sfn error: no target: CITEREFMarcus2013 (, sfn error: no target: CITEREFPalmer1981 (, "Robert Johnson: 'Dust My Broom' – Review", "Robert Johnson: 'I Believe I'll Dust My Broom' – Appears On", "1983 Hall of Fame Inductees: Dust My Broom – Elmore (Elmo) James (Trumpet, 1951)", "Grammy Hall of Fame Awards – Past Recipients", "Complete National Recording Registry Listing", Ike & Tina Turner's Kings of Rhythm Dance, Ike & Tina Turner's Festival of Live Performances, Proud Mary: The Best of Ike & Tina Turner, His Woman, Her Man: The Ike Turner Diaries, Here's Johnny: Magic Moments from the Tonight Show, You Can't Miss Nothing That You Never Had, I Can't Believe What You Say (for Seeing What You Do), I'm Gonna Do All I Can (to Do Right by My Man), The Legends Ike & Tina Turner Live in '71, https://en.wikipedia.org/w/index.php?title=Dust_My_Broom&oldid=1018569047#Derivatives_and_"Dust_My_Blues", United States National Recording Registry recordings, Short description is different from Wikidata, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, "Catfish Blues" (performed by Bobo Thomas), Ivan Scott's Radio Service, Jackson, Mississippi, This page was last edited on 18 April 2021, at 19:29. 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