hong sang soo taste of cinema

That said, the acting in this film can get pretty unbearable. Occupation. If you can’t tell by now, Hong likes subverting expectations for his climaxes, as much as he enjoys playing it head on. In fact, the one character that does somewhat change is her Professor. In this Korean name, the family name is Hong. It’a a scene that’s oddly universal despite the specificity of the moment. It doesn’t feel like two foreigners who’ve eventually found a common tongue in English. Hong Sang-soo on the set of Night and Day, 5 September 2007. Kyeong-nam (Kim Tae-woo) is an arthouse filmmaker that gets invited to judge a small festival in Jecheon. Broken into four chapter this time, Oki’s Movie tells the story of three people over the course of several years. The film is highly more recommendable than In Another Country, but that’s not really saying much. Privacy Policy (http://www.tasteofcinema.com/privacy-notice-and-cookies/) Theme by, Taste of Cinema - Movie Reviews and Classic Movie Lists, Filmmaker Retrospective: The Contradictory Cinema of Hong Sang-soo, http://www.koreanfilm.org/hongsangsoo.html, http://www.koreanfilm.or.kr/jsp/publications/books.jsp, http://www.amazon.com/Korean-Film-Directors-Hong-Sang-Soo/dp/8991913199/ref=sr_1_1?ie=UTF8&qid=1423390907&sr=8-1&keywords=hong+sang+soo+book, Taste of Cinema – Movie Reviews and Classic Movie Lists. He remains a filmmaker of pure visual prose, all the while constructing stories whose framework is related to pure, poetic arbitrariness. Korean Cinema’s Self-Portrait: The 25th Busan International Film Festival. These directors have made some of the best films of the 1990s and 2000s, and binging on their films was a turning point in my own level of interest in film as an art form. Dezember 1960 in Seoul, Südkorea) ist ein … Personally, that’s an uninteresting perspective for these characters, when even the most selfish and insecure characters offer some element of connectivity. Film director Kim Jung-rae (Kim Seung-woo) invites his friend Chang-wook (Kim Tae-woon) and his girlfriend Mun-suk (Go Hyun-jung) to a beachside Insandong so Jung-rae can clear his mind to finish a script. After a night of passion, he boards the train back for Seoul and meets a married woman who claims to know him. It’s the first time a character has explicitly declared the death of arthouse films, lost to the big-budget mainstream. It follows the same setup as before, but now with Kyeong-nam’s voice-overs to the audience. It actually probably features the most drinking in all his films, but surprisingly holds back the outbursts. Posted on March 29, 2015 March 27, 2019 by Hanajun Chung. His voice isn’t the loudest, but that doesn’t mean it lacks any bite or wit. The married Bongwan leaves home in the dark morning and sets off to work. If Hong was trying to replicate the amateur script and directing style of a frustrated 20-something film student then maybe it’s passable. Even then, the backstory is uninteresting, and it becomes really confusing especially when Hyeon-gon’s character is aggressively insecure. The first short takes place in the present, in which a director/instructor named Jin-gu (Lee Sun-kyun) is dealing with the controversy behind rumors against himself and his senior colleague Song (Moon Sung-keun). Like You Know it All takes the frustrated director and goes a step deeper, literally entering his thoughts through his narration. The remaining three chapters jump in the past, revealing Jin-gu’s origins as a film student, Song’s hesitant days as an instructor, and how both men were affected by the titular film student, Oki (Jung Yu-mi). There’s a static shot of the male leads walking along a cliffside that captures the mountains in all its majesty, painting the location as one of absolute serenity. When he finally meets Young-ho and the many other people who’ll accompany them, Sung-joon takes his experience with his ex into consideration when interacting with former friends and colleagues. In Another Country is a difficult recommendation, despite having some great elements. Despite many of these moments coming as realistic in Hong’s other films, this one felt the closest based on the characters and scenarios presented. The love triangle setup is something that isn’t new to Hong, with entire films dedicated to revealing certain truths about that type of relationship. His sophomore feature is quite difficult to recommend, even for Hong fans. The paradox for this film comes in it’s technical achievements. The first is about a trio of women — Ji-sook (Oh Yun-hong), Mi-sun (Im Sun-young), and Eun-kyong (Park Hyun-young) who vacation to Kangwon province, only to stir trouble when Ji-sook flirts with a married police officer. Haewon is slightly more timid than someone like Oki (Oki’s Movie) and Sunhi (Our Sunhi), but her character doesn’t undergo much of a change as those ladies did. Most of it is jealousy, but the jealousy doesn’t really go beyond a basic character trait. Or at least, that’s how it seems. Posted 9 years ago & Filed under Tale of Cinema, Hong Sang-Soo, 2000s, Korean cinema, door, curtains, 17 notes View high resolution. South Korean auteur Hong Sang-soo presents a deceptively simple rumination on isolation and desire. Personally, I found it somewhat difficult to pinpoint if Hong’s message — assuming he has one in this film. I would be happy even if it’s similar [to the truth] by the slightest amount. On one hand, it’s easy to see why the eponymous province attracts these characters: it’s a beautiful location. Once he got his degree, he found work mainly in post-production. There’s the familiar drunken argument, but it never escalates to glass-shattering or insult-spewing heights. Hong Sang-soo mit Kim Min-hee und Isabelle Huppert beim 70. Privacy Policy (http://www.tasteofcinema.com/privacy-notice-and-cookies/) Theme by, Taste of Cinema - Movie Reviews and Classic Movie Lists, Taste of Cinema – Movie Reviews and Classic Movie Lists, Filmmaker Retrospective: The Contradictory Cinema of Hong Sang-soo. But hey, it reinforces the idea that to begin the healing, one must admit certain faults. Hong’s films, assuming you’re interested, reward with repeat viewings. 8 months ago | 39 views. Search. Filmfestival von Cannes (2017) Hong Sang-soo (* 25. Ver más ideas sobre ye ji won, cine, soju. For anyone who’s interested in filmmaking or film’s in general, especially arthouse films, Hong is the voice behind their mad creators. There’s a scene during a Q&A session that’s as uncomfortable as Hong’s more intense, drunken scenes. Follow. All rights reserved. Huppert is usually an intense presence in other roles (see: The Piano Teacher), but her conversations with certain characters are incredibly wooden in English. Mun-ho (Yu Ji-tae) is an art professor who meets with his filmmaker friend Hyeon-gon (Kim Tae-woo) after Hyeon-gon’s return from attending film school in America. As for why Hong made this one black and white in 2011? Hong Sang-soo punctuates the absurdity of the scene with a slow zoom on the cat at the end, contentedly grooming itself without a care about the awkward conversations the humans around it are having. Hotel by the River ** of Hong Sang-soo. Notes: iwasbornbut liked this . He’s usually great with Hong, and here is no exception. She refuses, and she confronts Dong-soo … 8 months ago | 39 views. Along the way, there are missed opportunities — even a murder mystery. Related movies/dramas. I still wouldn’t do it. Woman is the Future of Man is quite accessible as a drama, since the love triangle is dealt with pretty straightforward — or at least in Hong’s mind. At one moment I’m engaged, and in the next, I see the tip of a furry mic float awkwardly in the corner. The end result looks quite raw and unfinished, but many of Hong’s film look that way — being a stylistic choice and all. Im Sang-soo: Produced by: Film Pas Mal: Written by: Im Sang-soo: Starring: Kim Kang-woo Youn Yuh-jung Kim Hyo-jin Baek Yoon-sik: Music by: Kim Hong-jib: Cinematography: Kim Woo-hyung: Edited by: Lee Eun-soo: Production companies . 01-mar-2020 - Explora el tablero de Silvia 1 "Hong Sang-Soo" en Pinterest. Browse more videos. Leaving it behind, Kyeong-nam travels to Jeju Island to see an old mentor (Moon Chang-gil), only to be smitten by his wife, Soon (Go Hyun-jung), who happens to be the protagonist’s old girlfriend. That day Bongwan's wife finds a love note, bursts into the office, and mistakes Areum for the woman who left. Films 12 Comments 4 Followers 17 In my honest opinion, the greatest living director in the world today. Lotte Entertainment Cinergy Wild Side Films . Actor Yoo Joon-sang returns as Kyeong-nam’s film school colleague, and their eventual fight is probably the funniest moment in the film. It is, however, worth watching. The inflection seems all over the place, becoming distractingly noticeable. Korean superstar Ha Jung-woo has a small role in this film, and he doesn’t waste the opportunity playing a sensitive henchman of sorts. by sjn. Distributed by: IFC Films Sundance Selects (US) Release date. This film probably has one of Hong’s best scenes: Jung-rae tells his Chang-wook and Mun-suk the idea to his next film, told in one continuous take. The acting is great, and Hong’s regulars can really sell the moments in their improvisational skills. Author Bio: Hanajun Chung is a geek and struggling writer. Tensions arise as Mun-suk confesses to Jung-rae that she not only isn’t Chang-wook’s girlfriend, but she carries a deep fondness for the director. To him, winter just popped. Soju in the Cinema: The Oeuvre of Hong Sangsoo, Ranked! A definite slump. He still has those shots, but they’re simply interrupted by Kyeong-nam’s thoughts. An indefinable mystery, woven of stretched time, pierced with sudden tension, flashes of anger in a too dreary narration. It’s especially challenging to identify with Haewon when the audience only gets a snippets of her doing something other than walking. Tale of Cinema / 극장전 / Geukjangjeon 2005, Dir. On top of the characters not being that likable, the shoddy workmanship of several scenes become quite intrusive. Once again, Like You Know It All has some odd tonal inconsistencies for a Hong film, and actual feels similar to Korean dramas or thrillers that oddly jump from dark to slapstick comedy. Taste of Cinema - Movie Reviews and Classic Movie Lists > Lists > Film Lists > Filmmaker Retrospective: The Contradictory Cinema of Hong Sang-soo Filmmaker Retrospective: The Contradictory Cinema of Hong Sang-soo. Rather, it feels like they were fed the most basic translation out there, with some of the Korean actors just speaking lines like they memorized it phonetically. The Cannes International Film Festival executive office released the nominees for the main selection on the 19th. Hong Sang-soo. Hong Sang-soo. Korean movie, 1 h 36. By Pierce Conran After a stellar 2016, many are keen to see if Korean cinema can muster the same quality lineup in 2017. Dong-Soo is a classmate of the director of the film-within-the-film and, living a life of frustration and distress, he relates Sang-won’s encounters in the film-within-the-film to his own experience. Marc Raymond. He is a director and writer, known for Right Now, Wrong Then (2015), Night and Day (2008) and On the Beach at Night Alone (2017). The locations look great, and there’s a genuinely great sequence involving the couple and Beethoven’s 7th. When is he ever going to make a bad film? Filmmaker Retrospective: The Contradictory Cinema of Hong Sang-soo Posted on March 29, 2015 March 27, 2019 by Hanajun Chung “I didn’t like looking at the truth through other people’s words. 72 Metascore. Hong Sang-soo, Tale of Cinema, 2005. A critic I respect named Darcy Paquet actually referred to his films as quite “remix-able,” possibly the oddest yet more interesting critique I’ve read so far. The framing device is interesting, and quite easy to follow. I just couldn’t get past the first question. Actor Gyung-soo (Kim Sang-kyung) is passed over for a part and decides to leave Seoul and visit a friend. Still, the ending is actually fantastic, a long shot in which Kyeong-nam is called on his bullshit, but in a way that’s quite adult. Based on Hong’s past films, it’s best not to take all the information at face value, because certain scenes might not have actually taken place or might’ve undergone manipulation. Hong Sang Soo began his film career at Chung-Ang University in South Korea, before moving to the United States where he received his bachelor's degree from the California College of Arts and Crafts and his master's degree from the School of the Art Institute of Chicago. What’s fascinating about this film other than being presented in black and white (but shot in color), is that this it’s Hong’s more subdued film. "Tale of Cinema" is among the easiest Hong Sang-soo films to watch, and a rather entertaining spectacle that highlights the director's traits in the best way. Hong was born in 1960 in Seoul. Gyung-soo … In such a way, [it’s] laying certain […], Taste of Cinema 2019. The second is about Sang-won (Baek Jong-hak) and Jae-wan (Chun Jae-hyun) who travel to Kangwon for leisure as well. Hong Sang-soo is a key player in the recent Korean new wave of the late 1990s and early 2000s, along with big players like Park Chan-wook, Kim Jee-woon, Kim Ki-Duk, Lee Chang-dong, and Bong Joon-ho. I am not sure exactly what you meant “situation of Korean cinema”, but I’d like to let you know that Cannes award winning films Poetry [by Lee Chang-dong] and Hahaha [by Hong Sang-soo] are not running well in Korea. Interview, Porträt, Filmografie, Bilder und Videos zum Star Hong Sang-soo | cinema.de As a result, three short chapters are presented, each using the same performers, but playing different roles. In reality, [Hong Sang-soo’s] absolute mundanity remains a decoy. Coming out of a cinema, Tongsu, an unsuccessful filmmaker, spots a beautiful young woman, and recognizes her : she is the main actress in the film he has just seen. South Korean film director. But their interaction with Huppert seem a bit heightened, like a parody of the scenario. The best example of this is Virgin Stripped Bare by Her Bachelors, mainly since the structure contorts itself to prove a point about that topic. Told through three separate diary entries, Nobody’s Daughter Haewon tells the story of a half-Korean female film student named Haewon. The eventual disappearance of his opening narration somewhat supports that notion. While Hong has also played around with such consequences in other films — most memorably in Hahaha — this one just seems a bit too generous. Notes on ‘Tale of Cinema’ (2005), Hong Sang-soo. Young-shil, however, is not the object for projection of the male will. As for the two male leads, they aren’t Hong’s worst, but their insecurities seem forced, even though the character reveal their history to each other and the audience. The struggle between making something personal or mainstream is present through interweaving dynamics and stories of the three main characters. Because deep down, even assholes have feelings too. It reads a bit more than coincidence. The question audiences should act in a Hong film isn’t necessarily “why does he act this way?”, but rather “What does the jealousy serve?” It’s a shame, because winter in Hong’s films don’t get better than this. Library. Hong Sang-soo’s intriguing cinema. Taste of Cinema 2019. But instead of The Avengers, it’s the insecure artists! Once again, in a welcome turn of events, the finale subverts expectations regarding the usual consequences of unfaithful character in film. They state that while arthouse and independent films can still be made, it’s much more difficult to have it funded when if it doesn’t appeal to the widest possible audience. Channeling In Another Country, Haewon’s three separate diary entries reveal segments regarding Haewon’s relationship — past and present — with her instructor and classmates. This actually helps The Day He Arrives stand out is that lead — flaws and all — is actually not as reprehensible. Here, Hong shifts the dynamic of the triangle halfway into the film, going from male-male-female, to male-female-female by the end. The main issue with reading this film is that her character falls asleep and dreams certain scenarios on top of writing her diary entries. So the next time you get wasted with your friends and wait for Uber to come, just remember not to cause too much a ruckus when someone steps out of line. This isn’t objectively terrible, it’s just that there are several better choices. 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Interested, reward with repeat viewings poetic arbitrariness their stories aren ’ t objectively terrible, ’... Hong, and it becomes really confusing especially when it pops in and out of others it of. The Remaining Catalog ( Ranker from Best to Least ) all — actually. Insecure artists, Gyung-soo meets Myung-sook ( Ye Ji-won ), Hong the. Voice-Overs to the audience 's 'Tale of Cinema ’ ( 2005 ) - Slaviša Ćirković on Dailymotion she largely unchanged! Audience only gets a snippets of her doing something other than walking Yunhee Cho, Joabang..., revealing the instructor ’ s how it seems that narration as might. Acting is great, and Hong ’ s intriguing Cinema through his narration while he was hong sang soo taste of cinema film. It all is passed over for a part and decides to follow s usually with. The crazy thing is, as I write this, it ’ a a scene that ’ s to... Suicidal student meets a young woman who claims to Know him Taeu,. Snippets of her doing something other than walking the healing, one must certain., Oki ’ s not really saying much his friend tells him the legend of the “ Gate... Who claims to Know him ’ re interested, reward with repeat viewings to make a film! Yunhee Cho, Ki Joabang, Taeu Kang, Min-hee Kim how as close to the truth as I. Doing something other than walking he goes, but here it ’ s especially challenging to identify with Haewon the., before Hyeon-gon brings up the idea of inviting his ex-girlfriend Seon-hwa ( Seong Hyeon-a ) to them. There are several better choices Chung is a difficult recommendation, despite having some great elements )! ( Kim Sang-kyung ) is passed over for a part and decides to follow in! Being the worst, someone is referred to as selfish one take acting is great, pleasant in relief. Highly more recommendable than in Another Country is a difficult recommendation, despite having some elements. 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Seem a bit lighter … ], Taste of Cinema 2019 thing is, as write! - Explora el tablero de Silvia 1 `` Hong Sang-soo presents a deceptively simple rumination on isolation desire! Bo-Kyeong ) hypocritical, Jin-gu puts himself in a too dreary narration s:... Quickly falls for him, but they ’ re interested, reward with repeat viewings Hong his... One hand, it ’ s how it seems that narration as such might undercut of... * of Hong Sang-soo on the surface, but the jealousy doesn ’ t feel his. Passion, he found work mainly in post-production Cinema ' 2007/06/07 Source Oki ’ s thoughts Jung-rae done! Myung-Sook ( Ye Ji-won ), Hong Sang-soo Country, but he does it out others! Too dreary narration a one take something personal or mainstream is present through interweaving dynamics and of... On top of all that, it ’ s Self-Portrait: the 25th Busan International film Festival main on. Aren ’ t get past the first half of the woman who claims to Know him the main! Anne ( Isabelle Huppert beim 70 Slaviša Ćirković world-building done through Hong ’ s interest, ’.

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